The jury, Alessandra Atti Di Sarro, Simone Ciglia and Carlotta Sylos Calò, has chosen the young winners who will arrive in Rome at the end of September. The group of winners will participate in the workshop which will investigate the notion of the contemporary. Here you can read the profiles of the winners.
Giulia Fumagalli and Alessio Barchitta from Italy, Viktoria Nianiou and Salvador Gomez from Spain, Zana Masombuka and Grace Mokalapa from South Africa, are the 6 young winners artists of ARP 7Edition. From the 14th of December 2019 to the 18th of January 2020 they will be on show with co-existence, the exhibition that concludes the art residency project between Cape Town, Granada e Rome.
ARP is a program of international residencies organized by Centro Luigi Di Sarro, with the collaboration of Rainbow Media NPO. ARP is aimed at engaging young artists under 30 with geographical and interpersonal exchanges. ARP 7th Edition – Talents Exchange has been made possible thanks to the contribution of the MAECI-Italian Ministry of Foreign Affairs and International Cooperation and to Media Aid Onlus and My Cape Town. The exchange project between South Africa and Italy began in 2009 and since then more than twenty-five artists have travelled and worked between the two countries.
The present edition, took place in Cape Town, Granada, and Rome, adding a second stage in Europe. In November and December 2019 the Talent Exchange followed a new format: an itinerant route where each artist will have the opportunity to work on a research project in constant dialogue with the environment and the rest of the group. The participants have different stories and artistic background: Giulia Fumagalli and Alessio Barchitta come from Milan but Alessio was born in Sicily, Salvador Gomez comes from Barcelona whereas Viktoria Nianiou has studied in Spain but was born in Greece. Lastly, Grace Mokalapa and Zana Masombuka both live in Johannesburg.
Enthusiastic and numerically relevant response to the new formula of the ARP residency. Over 50 contacts. The Call is closed and the selection process is going to begin by the jury, to choose the 6 young winners who will participate in the itinerary between Italy, Spain and South Africa.
ARP-Art Residency Project 7th Edition is designed and promoted by Centro di Documentazione della Ricerca Artistica Contemporanea Luigi Di Sarro, Rome, Italy and aimed at young visual artists.
ARP 7th Edition is realized with a contribution of MAECI – Ministry of Foreign Affairs and International Cooperation and of Media Aid Onlus, with the partnership of Suburbia Satellite Granada, Spain, and Cape Town, South Africa, and with the collaboration of Rainbow Media NPO.
This call is an opportunity to encourage artistic production by emerging artists in the countries involved, Italy, Spain and South Africa .The call is open to young artists who are under 30 years old on the date of publication of the announcement. The applicants must be interested to share experience and be available to participate in all 3 different periods of residencies from November 2019 to April 2020.
The project offers:
residency in Cape Town South Africa
residency in Granada Spain
residency in Rome Italy
(IMPORTANT: air tickets and accommodation will be provided by the organization, not food and personal expenses. Accommodation will be in multiple rooms.)
The 6 winners (2 artists from Italy, 2 from Spain and 2 from South Africa) will travel together and must be ready to interact with the group and participate to the project activities. The selected artists have to declare their intention to make a research project during the residencies and be ready to show the results as conclusion of each residency period and a final exhibition will be organized at Centro Luigi Di Sarro in Rome.
The entries will be evaluated by a jury of experts:
The winners will receive an email to the email address with which they registered for the Call and their names will be advertised on the promoter’s websites and social networks.
ARP-Art Residency Project 7th Edition is designed and promoted by Centro di Documentazione della Ricerca Artistica Contemporanea Luigi Di Sarro, Rome, Italy and aimed at young visual artists.
ARP 7th Edition is realized with a contribution of MAECI – Ministry of Foreign Affairs and International Cooperation and of Media Aid Onlus, with the partnership of Suburbia Satellite Granada, Spain, and Cape Town, South Africa, and with the collaboration of Rainbow Media NPO.
This call is an opportunity to encourage artistic production by emerging artists in the countries involved, Italy, Spain and South Africa .The call is open to young artists who are under 30 years old on the date of publication of the announcement. The applicants must be interested to share experience and be available to participate in all 3 different periods of residencies from November 2019 to April 2020.
The project offers:
residency in Cape Town South Africa
residency in Granada Spain
residency in Rome Italy
(IMPORTANT: air tickets and accommodation will be provided by the organization, not food and personal expenses. Accommodation will be in multiple rooms.)
The 6 winners (2 artists from Italy, 2 from Spain and 2 from South Africa) will travel together and must be ready to interact with the group and participate to the project activities. The selected artists have to declare their intention to make a research project during the residencies and be ready to show the results as conclusion of each residency period and a final exhibition will be organized at Centro Luigi Di Sarro in Rome.
The entries will be evaluated by a jury of experts:
The applicants shall send their entries including the followings (please EU participants will send also english translation of their materials):
• Motivational letter and research proposal with declaration of acceptance of availability period of participation NOV 2019-April 2020 subject to penalty (in PDF);
• Artist’s portfolio (in PDF);
• Artist’s curriculum vitae (in WORD)
• Copy of valid passport (not expiring during 2020);
Send your entry by email before 10 August 2019, with object ARP 7ED CALL, to: progetti@centroluigidisarro.it
Screening and Awards Ceremony of the 2 winners and 8 finalists of the VAA-Video Art Awards 2nd edition took place on May 14th at the historic Labia Cinema in Cape Town. Now the VAA screening evening moves to Italy where the cortoLovere Festival will host the event on September 26th at the Tadini Art Academy.
The prize-giving event took place in the historic Cinema Labia, Tuesday 14 May 2019. All the 10 shortlisted works in the two selections (Italian and South African) have been projected.
The VAA – Video Art Awards is designed and promoted by the Centro Luigi Di Sarro with the contribution of Italian Cultural Institute of Pretoria and the International Short Film Festival cortoLovere, where the VAA Top10 will be screened again (23-28 September 2019).
Niccolò Masini CV http://www.niccolomasini.com
He studied in the classrooms of the IED in Milan, graduating in 2011 in Illustration and Animation courses. Thus began his career in the world of visual art. However, the definitive turning point accomplished by moving to the Netherlands, where he attended the prestigious Gerrit Rietveld Academy in Amsterdam, from which he graduated in 2015 with a specialization in Audio Visual Arts. During his time at Rietveld, he has the opportunity to follow an international exchange program at RMIT University in Melbourne. The Dutch experience will open to him doors to several international experiences: Australia, Argentina, the United States, Kuwait and Canada. Winner of numerous international prizes, competitions and residences, from 2016 he began to devote himself entirely to his personal research, which he combined with commissioned work. Practicing in three continents, his work has been exhibited internationally in countries such as Australia, Canada, Argentina, Japan, Holland and Italy. To date, he lives and works between Genoa and Montréal.
“White Time”
“There are a certain amount of ordinary moments in life that are con- sidered neither here or there, these are spaces for otherness, for some considered irrelevant, that are simultaneously physical and mental, such as the space of a phone call or the moment when you see yourself in the mirror.” Michel Foucault
These spaces of otherness are infinite, disposed on time framed dimensions that inexorably passes through, with or without our consideration. The experience of the traveler, consisting of a series of movements within space, producing a phenomenon of a new order, where geography overtakes knowledge. Our conception of spatiality shapes our perception of time, and, on an individual scale, defines our way of perceiving movement. Spaces trace an inventory of the adventure of knowledge, omitting nothing; knowl- edge traces cartography of known lands, omitting nothing. Acting as a prelude to a subjective perception of a suspension in time, White Time is a video installation where a simple figure stands in a not specific dimension. Surrounded by the surface of the black screen different elements interact with each other, mutating through the composition of an undefined spatial location. Niccolò Masini
Jabu Nadia Newman CV https://jabunew.tumblr.com/
Jabu Newman was born and raised in Plumstead, a suburb of Cape Town. She is 25 years old and studied at UCT, University of Cape Town, where she graduated in Political Science and then specialized in Visual and Media Arts, then deepening cinema and directing at the African Arts Institute. He works in film production and continues his artistic research with video art and photography works, mainly oriented to the exploration of human and social relations. He won the VAA award with the video “Untitled: Friends”.
“UNTILED:FRIENDS”
The title Untitled:Friends alludes to the complexity of chosen relationships, specifically how deeply bound two souls who share no family relation can be: a strong connection that no title or description can truly articulate.
Like most of Newman’s body of work, the film specifically focuses on femme binary identity and relationships. The storyline is intentionally centered around femme friendships and simultaneously challenges and celebrates them against a backdrop of a mundane heteronormative neighborhood, where these layered and complex identities are prosecuted and undervalued.
Untitled:Friends was shot, written, directed and edited by Newman over a period of two years and reads like a personal visual diary, in which she invites us into her childhood and teenage years in Plumstead. Come per la maggior parte dei lavori di Newman, il film pone un’attenzione particolare all’identità e alle relazioni nel mondo femminile. Il racconto è volutamente centrato su una storia di amicizia fra donne in cui contemporaneamente si sfida e si festeggia, in una atmosfera mondana, quel substrato di codici di etero-normalità in cui le identità stratificate e complesse sono perseguitate e sottovalutate. Untitled:friends è stato girato, scritto, diretto e montato da Newman nel corso di due anni e si offre come un personale diario visivo, nel quale l’autrice svela i suoi anni d’infanzia e adolescenza nel quartiere di Plumstead. (Jabu Nadia Newman)
The award ceremony took place a few hours ago in a busy, crowded and happy Italian Art Day at the Tsoga Centre in Philippi, Cape Town.
The event is organized by the Centro Luigi Di Sarro with the contribution of the Istituto Italiano di Cultura in Pretoria and the collaboration of Rainbow Media NPO and will offer the participants the opportunity to discover the vibrant artistic scene of the township in a succession of video projections inside the community centre in Samora Machel, managed by the youth of Ubuntubethu.
On the four screens the 10 short films, selected by the jury, will run: and during the Art Day the winner of the Italian section was presented: Luca Coclite, the italian filmmaker who got the South Africa trip award and landed in Cape Town to take part in the award ceremony. Also on show are the finalists of the South African section whose winner Kamyar Bineshtarig will get the award trip to Italy to participate in September at the International Short Film Festival CortoLovere on Lake Iseo, during which the finalist 10 videos will be shown again.
Luca Coclite, winner for the Italian category, comes from Gagliano del Capo, near Lecce. His artwork, Solitary Gardens, is inspired by the work of Elaine Summers, Fantastic Gardens (1964). The video is split into three different parts, moving from ‘giardino’ (garden), a metaphor of someone who is seeking happiness and perfection, and taking us through a great variety of well-known places in New York city representing an individualistic and solitary picture of human condition. The movie is made up of ‘Human Botanical Garden’, ‘One day everything you see will be invisible’ and ‘Anti-Souvenir’, portraying an unstable reality flowing from an earthly paradise to an illusion. Here, the solitude from the Winter Garden Atrium, the artificiality from the Prospect Park in Brooklyn, the dioramas from scientific museums and, lastly, the deterioration of forgotten objects at the Dead Horse Bay lead us, in Rilke’s terminology, ‘from the visible world towards something timeless, inward and invisible’.
Kamyar Bineshtarigh, winner of the South African category, is a student at the Ruth Prowse School of Art in Cape Town. Seeing homeless people using newspaper posters to sleep on in the streets of Cape Town, Bineshtarigh found the inspiring motive to create his short film, Shelter. He found it ironic that posters depicting the government’s promises for a sustainable living for the poor, were, in fact, used by the poor for a more comfortable sleep in the streets. Chuma, the actress in the film, is a fellow student at Ruth Prowse; she was a homeless artist that started drawing by burning pieces of wood turning them into charcoal and drawing portraits of other homeless people around her. She also assisted in developing the concept so that it is closest to the reality of a homeless person in the streets of Cape Town, and introduced Bineshtarigh to other homeless artists, including the trumpet players in the film.
The screening of all finalists will take place again in Italy during the CortoLovere festival (24-29 September 2018).
Italian Section:
Opening March 22th, 2018 at 6.30pm
With FINITE / INFINITE, Elena Giustozzi and Caterina Silva show the work done during the ARP-Art Residency Project in South Africa. An exhibition that offers itself as a journey on many levels, not the simple notion of travel, but the will to observe from and with different points of view.
The slow walks in the nature of Elena Giustozzi are revealed in comparison with the gaze from the top offered by Boomslang, the suspended walkway of Kirstenbosh Gardens, but also in a sketchbook of digital sounds collected in various corners of Cape Town. Works done in Italy, in the Marche region where the artist lives, mix with the paintings painted in Cape Town. A work wich is slow, meticulous, meditative, intimate and grandiose at the same time.
The vicissitudes of the soul of Caterina Silva, her continuous queries on the meaning of reality, and the language she would like to express it, are certainly in her large canvases, colored and wrinkled, but also in comparison with what the soul carries with its past far or near. And so, thanks to the meeting with the students of the Ruth Prowse School of Art the performance ticticfhsfhscoldcoldrainrain has come to life, and that continues a similar research just carried out by the artist in Norway.
opening: March 7, 2018 from 6pm
March 7 – 30, 2018 (tuesday-saturday 16-19 pm)
Double solo show by Marco Piantoni and Meri Tancredi.
“Aporia” was originally a Greek term, which has come to mean something like an insoluble contradiction in the homonym text of the French philosopher Derrida. This was the inspiration for the Curator Francesco Santaniello and the artists Meri Tancredi and Marco Piantoni for designing this exhibition, to be considered a sort of double solo exhibition. The two artists are documenting with a selection of their most recent works, their personal inquiry about knowledge, time and its perception, identity and identities, the multi-faceted codes of languages. Therefore, their art results in a plurivocal ensemble of medium, materials and expressive techniques.
Opening 2018 March 8th, 6pm
The double solo exhibition of Isabella Nazzarri (Livorno, 1987) and Viviana Valla (Voghera, 1986) focuses on the direct comparison between the different methodological and stylistic approaches that the two artists used to build their own original pictorial language.
Focused on an essentially gestural and erratic process, Isabella Nazzarri’s painting coagulates in a series of surprising shapes, characterized by vivid and brilliant colors that stand out on monochromatic backgrounds in the papers as in the canvases. The light precipitated in the pigments becomes the material also of her sculptures, made of colored resins enclosed in glass ampoules (Monadi) or expanded polyurethane molded to evoke the rock formations and calcareous deposits present in nature.
Based on the stratigraphy of paper materials is the research of Viviana Valla, who through the reworking of post-it, clippings of magazines, pre-printed sheets, shreds of silver papers and much more builds an intimate and diaristic painting that paradoxically assumes the appearance of a geometric composition. The theme of her investigation is the conflict between emotionality and censorship, which is expressed in a continuous balance between the accumulative method, of an intuitive nature, and the rigid control exercised on the often orthogonal forms of his compositions.
Both Isabella Nazzarri’s erratic method, based on gestural trust and freedom and on chromatic and signic lightness, as well as the critical and conflictual one by Viviana Valla, articulated in a dynamic contrast between emotionality and rationality, prefigure the assumption of responsibility towards the pictorial language, used as an interpretative filter for the construction of a Weltanschauung, a vision of the world.
The title Not Provisional alludes to the committed and “non-temporary” character of the pictorial approaches of Nazzarri and Valla. The two Italian artists, in fact, differently from provisional painters who avoid the overload of expectations linked to a secular medium such as painting, accept to elaborate grammars capable of expressing the dubious, enigmatic and uncertain character that is on the origin of the visual art training.
The exhibition Not Provisional presents about thirty works – including paintings, papers and sculptures – of the recent production of the two artists.
Tuesday, January 23 at 6pm opening of the exhibition of selected works for the valuable publishing, now in its 15th edition, dedicated this year to Italian artists under 30.
The exhibition proposes the works of Andrea Bressan (Cittadella, Padova), Flavia Bucci (Castel Frentano, Chieti), Emanuela Cruccu (San Gavino Monreale, Medio Campidano), Francesca Dondoglio (Torino), Flavia Carla Fanara (Formello, Roma), Roberta Favarato (Milano), Marco Goi (Sabbioneta, Mantova), Xhimi Hoti (Verona), Annatonia Luperto (Galatone, Lecce), Davide Pisapia (Napoli), Andrea Schifano (Castro, Lecce), Marco Tallone (Revello, Cuneo); paintings, drawings, engravings, photographs that testify to a new generation of Italian art.
The works on show are the winners of the competition announced by Gutenberg Edizioni for the realization of the 2018 CALENDAR: a contest in which 78 young artists under 30 participated, a significant adhesion that responds to the novelty that, from fifteen editions, marks the calendar art. The commission composed of Massimo Bignardi (Storia dell’arte contemporanea, Università di Siena), Danilo Maestosi (journalist and novelist), Franco Marrocco (artist and Director of Accademia di Belle Arti di Brera-Milano) e Giuseppe Rescigno (artist) has selected the works that today articulate the GUTENBERG CALENDAR 2018.
The exhibition will run till February 3rd (from Tuesday to Saturday from 4 pm to 7 pm).
