Tag: gdc19

With the theme HIC ET NUNC (here and now) and the pack and go formula, this ninth edition of the ARP-Art Residency Project continues the investigation into the concept of the contemporary by putting young talents to the test in relation to the handling of the work, the discussion of practices and methods and the search for a set-up solution that adapts to each different circumstance. The pack and go has planned three stages for the 9th Edition of ARP: Rome, Bienno in Val Camonica and Tirana in Albania. The exhibition events were created taking into account the peculiarities of the environments, whose spatial articulation made it possible to highlight the projects and requests of the five protagonists, who present distinct, but not distant from each other, points of observation of the contemporary. Preceded by moments of substantial discussion with experts in the sector on fundamental themes, such as the role of art and that of its innumerable actors, the first exhibition stage at the Centro Di Sarro in Rome was organized into thematic sections, based on language, materials and poetic. This is how Azzurra Pizzi (Italy), winner of the curator selection this year, introduces her presentation of the events. And in her presentation text she leads us to discover the 5 winning artists and their works.

Showing her intimate sphere, Samela Balazi (Albania) makes known her drawing practice and the use of natural pigment, ideal for transferring immediate authenticity to the raw canvas. Making her own the widespread practice of dry stone wall construction, Beatrice Caruso (Italy) presents her assemblages made up of irregular wooden wedges and collages to address the challenging topic of repositioning elsewhere. Convinced that art is a tool for answering questions relating to our personal growth, Anna Martynenko (Ukraine-Germany) with her deck of illustrated cards triggers an investigation mechanism aimed at exploring our personality between static and consolidated positions and new openings of acceptance of the most rejected side of ourselves. Disciple of the ritual of walking Cheriese Dilrajh (South Africa) presents photographic montages, whose composite aspect reveals simultaneous visions elaborated by synaesthetically experiencing the melting pot offered by the Fordsburg market in Johannesburg, a place with a difficult past now full of lively realities. Trespassing into the field of performance and using the sound medium, Miriro Mwandiambira (Zimbabwe) intends to bring attention to the role of the woman-artist free from conventions and capable of fighting for social redemption. (from the text by Azzurra Pizzi in the ARP9Ed catalogue)