Meteoriti a Roma – Giorgio Russi – curated by Antonello Rubini – Opening March 9th at 6.00 pm.

“I think it is not difficult to immediately realize that the most relevant key to reading for the intelligence of Giorgio Russi’s painting regards the dream-like dimension”. So the great Enrico Crispolti – who worked closely with Russi, at least for all the eighties, considering him then one of the most significant figures emerging in the Italian artistic landscape – opened the part dedicated to him in his text in the catalog of shows Casciello, Gadaleta, Russi. A current triangulation, held at the Galleria Comunale d’Arte Contemporanea of ​​Arezzo in 1986. A statement, therefore, of more than thirty years ago, but which besides well framing the imaginative area of ​​making of Russians of that period, the best known (among the most iconic celestial landscapes dominated by the presence of strongly disquieting birds, first, and more essential scenarios, now more less vaguely landscaped inhabited by mysterious “flames”, then), is perfectly fitting also to the current work of the artist , which constitutes the present exhibition. And it is the sign not only of a coherence, of a continuity (even if his art has made its way since then), but of the existence of a certain field to which Russi necessarily continues to respond, thus feeling almost always intimately as own. (…) Antonello Rubini

On show 20-25 recent works by Giorgio Russi including paintings and sculptures.

Giorgio Russi was born in Turin on December 29, 1946, he lives and works in Treviso. After the Diploma of Art Master and Applied Arts Maturity he obtained the Diploma of Sculpture at the Academy of Fine Arts in Rome under the guidance of Pericle Fazzini. From 1971 to 1988 he was a lecturer in Sculpture at the State Art High School of Teramo. Since the early eighties he has carried out an intense and significant artistic activity by participating in numerous national and international exhibitions. Winner of the National Competition, from 1988 to 2011 he was Dean of the Liceo Artistico Statale di Treviso.

SEGNI. Photographs, drawings and sculptures by Luigi Di Sarro, curated by Carlotta Sylos Calò. 11 October- 14 November 2018 MLAC – Museo Laboratorio di Arte Contemporanea, Rome

In the fortieth anniversary of the death of Luigi Di Sarro, the exhibition organized by the MLAC with Centro Di Sarro offers a glimpse of the production of Luigi Di Sarro between the 1960s and the 1970s, highlighting the transversal nature of his approach to techniques and materials and his characteristic conception of the “sign” as a generative element of shapes and spaces, without a real caesura between abstraction and figuration, evident both in graphic and pictorial work, and in photography and sculpture.

Di Sarro, avid experimenter in his artistic activity, has practiced drawing, painting, engraving, sculpture, photography and performance, focusing in particular on themes related to the body, movement, light and abstraction capacity of the sign and the geometric figures. Di Sarro died only thirty-seven years old, killed for a fatal misunderstanding in the tense climate of the years of lead in Rome, on February 24, 1979; he left a vast artistic production (paintings, drawings, photographs, sculptures, graphics, projects, notes, aphorisms). Works by Luigi Di Sarro are in several Italian and foreign public collections (including GNAM, MACRO, Palazzo Braschi and the National Institute for Graphic Design in Rome, Pompidou Center in Paris).</p>

Active since 1987, the Museo Laboratorio di Arte Contemporanea-MLAC, directed by Prof. Claudio Zambianchi, has been proposed since the beginning as a meeting place between the university and the contemporary cultural world, distinguishing itself for its vocation to research and training. Among the initiatives that have animated the program for thirty years, there are exhibitions, conferences, round tables, book presentations, festivals, video reviews and musical proposals, which aim at first hand to put in contact the most lively artistic and cultural realities of the moment with the students and scholars of the University, often coming to involve them actively. In the same way, the will to open up to the city is strong, involving all citizens through the proposal of a very varied program.
Exhibitions and events promoted and organized by the MLAC take place in the spaces set aside in 1985 by the La Sapienza University of Rome, at the Rettorato Building, in the heart of the University City.

www.museolaboratorioartecontemporanea.it

On the occasion of organizing and carrying out the exhibition the MLAC offers a possibility of internship to students who have an interest in deepening in the field the craft of the historian and art critic in all facets. The internship foresees, in fact, an active commitment both during the preparation stage, with the possibility of working in close contact with the curators, and during the opening period of the exhibition, managing the guided tours, the reception of visitors and, last but not least , all the work related to the promotion of the exhibition, learning to manage the various online communication channels, from the blog to the main social networks.