LUCA COCLITE and KAMYAR BINESHTARIG WIN THE VAA-VIDEO ART AWARD

The award ceremony took place a few hours ago in a busy, crowded and happy Italian Art Day at the Tsoga Centre in Philippi, Cape Town.

The event is organized by the Centro Luigi Di Sarro with the contribution of the Istituto Italiano di Cultura in Pretoria and the collaboration of Rainbow Media NPO and will offer the participants the opportunity to discover the vibrant artistic scene of the township in a succession of video projections inside the community centre in Samora Machel, managed by the youth of Ubuntubethu.

On the four screens the 10 short films, selected by the jury, will run:  and during the Art Day the winner of the Italian section was presented: Luca Coclite,  the italian filmmaker who got the South Africa trip award and landed in Cape Town to take part in the award ceremony. Also on show are the finalists of the South African section whose winner Kamyar Bineshtarig will get the award trip to Italy to participate in September at the International Short Film Festival CortoLovere on Lake Iseo, during which the finalist 10 videos will be shown again.

This slideshow requires JavaScript.

Luca Coclite, winner for the Italian category, comes from Gagliano del Capo, near Lecce. His artwork, Solitary Gardens, is inspired by the work of Elaine Summers, Fantastic Gardens (1964). The video is split into three different parts, moving from ‘giardino’ (garden), a metaphor of someone who is seeking happiness and perfection, and taking us through a great variety of well-known places in New York city representing an individualistic and solitary picture of human condition. The movie is made up of ‘Human Botanical Garden’, ‘One day everything you see will be invisible’ and ‘Anti-Souvenir’, portraying an unstable reality flowing from an earthly paradise to an illusion. Here, the solitude from the Winter Garden Atrium, the artificiality from the Prospect Park in Brooklyn, the dioramas from scientific museums and, lastly, the deterioration of forgotten objects at the Dead Horse Bay lead us, in Rilke’s terminology, ‘from the visible world towards something timeless, inward and invisible’.

Kamyar Bineshtarigh, winner of the South African category, is a student at the Ruth Prowse School of Art in Cape Town. Seeing homeless people using newspaper posters to sleep on in the streets of Cape Town, Bineshtarigh found the inspiring motive to create his short film, Shelter. He found it ironic that posters depicting the government’s promises for a sustainable living for the poor, were, in fact, used by the poor for a more comfortable sleep in the streets. Chuma, the actress in the film, is a fellow student at Ruth Prowse; she was a homeless artist that started drawing by burning pieces of wood turning them into charcoal and drawing portraits of other homeless people around her. She also assisted in developing the concept so that it is closest to the reality of a homeless person in the streets of Cape Town, and introduced Bineshtarigh to other homeless artists, including the trumpet players in the film.

The screening of all finalists will take place again in Italy during the CortoLovere festival (24-29 September 2018).

Italian Section:

  • 8’20” – On Time Travelling, by Ilaria Biotti
  • SOLITARY GARDENS, by Luca Coclite
  • MIGRATION, by Gilda Li Rosi
  • MANI NOSTRE/Talking Hands, by Caterina Pecchioli
  • ENTRA IN QUESTA FERITA ° il dolore da bruciare è la porta da spalancare, by Michela Tobiolo
 South African Section:
  • NOBODY WANA SEE US TOGETHER, by Nonkululeko Chabalala
  • AQUA REGALIA, by Faith XLVII
  • CONCERNING ALCHEMY, by Rory Emmett
  • SALT, by Thania Petersen
  • SHELTER, by Kamyar Bineshtarigh

IMAGINING REALITIES – SKUBALISTO and JORDAN SWEKE – 2017 November 30th/December 14th

 

.

 

Jordan Sweke (1991) and Skumbuzo (Skubalisto) Vabaza (1987), from Cape Town to Rome thanks to ARP-Art Residency Project, will show their outlook on the City and its suburbs. People and landscapes, imagining realities: a journey that explores the present and the history of the Caput Mundi through various expressive media (painting, graphics and videos). The two South African artists produced artworks for this exhibition during the six-weeks residency period in Italy.

The ARP, a Bilateral Residency Programme for Young Artists between Italy and South Africa, is promoted by the CENTRO DI DOCUMENTAZIONE DELLA RICERCA ARTISTICA CONTEMPORANEA LUIGI DI SARRO and realized with the contribution of MAECI, Italian ministry of Foreign Affaires and International Cooperation, and with the collaboration of the Everard Read/CIRCA Gallery. In Cape Town, next February and March 2018, ARP will host italian artists Elena Giustozzi and Caterina Silva, selected to the residency programme, which will also see the collaboration of Ruth Prowse School of Art and Rainbow Media NPO.

This slideshow requires JavaScript.

Skumbuzo’s narrative is multifaceted (including visual art, design, music and fashion), he often incorporates contemporary figuration, imbued traditional iconography and several urban ‘graffiti’ based languages. Skumbuzo’s work aims to break down the human experience to its very core in order to expose the man made social constructs that serve to separate. His work is a bridge illustrating commonalities of consumerism, industrialization, corruption, hope, family, heart break, race , nationality and religion. His graffiti background and street art influence become obvious with his abstract use of colours and stylistic figure painting technique.
Jordan works within notions of the landscape and the natural environment. He abstractly explores ‘nature’ – a sublime and all-encompassing force. More specifically, he explores the relationship which currently exists between humanity and nature and ways in which this relationship might be reconstituted. His main focus of production lies in large oil paintings, but a rounded conceptual framework is achieved through his creation of photographs, sculptures, video works, print media and installation.
Both these young Cape-Town-based creatives have come together in ARP Rome 2017/2018 for IMAGINING REALITIES. This presentation comprises separate artworks, as well as collaborative work resulting from merging conversations between the two artists. At the Centro Luigi Di Sarro, Skumbuzo’s portrait paintings (in various mixed media) and Jordan’s landscapes (monochrome drawings, canvas based paintings and video work) are installed alongside collaborative linocuts and paintings executed together while in Rome on the ARP Residency.
The relationship between people and their environments is one of the major themes of the exhibition. IMAGINING REALITIES aims to address the notions of each person’s ‘reality’- how they see the world, and in contrast what goes on unnoticed around us all. Skumbuzo’s and Jordan’s active conversations illustrate and imagine what is taking place for many, addressing ideas of ‘marginalized poverty and the many unseen inhabitants of Rome’. This speaks about relationships between foreigners and the Roman landscapes, and serves to address “the social impact of immigrants, and the realities that lie behind the idealised ways people frame what they see and live.”
Skumbuzo and Jordan exist within the organic creative frameworks that pulsate around them in Cape Town, and both artists have an ongoing interest in periphery spaces and working-class areas. The ARP experience in Rome has served to ignite a joint conversation about the peoples in Rome, their ‘landscapes’ and the city itself. Although both artists actively acknowledge that this is a social commentary from an outsider’s perspective, they too feel ‘there are ridges of social and cultural similarities between Rome and Cape Town, that they both had been addressing in Cape Town. By creating some mural artworks in Rome  both Skumbuzo and Jordan hope to reimagine the reality of what is present there. In addition to their social commentary, the artists have endeavoured to critique the juxtaposition between nature and urbanization: the kind of relationship the people in Rome have with their natural environments, and natural selves. The artists have observed there are ‘remnants of human artefacts in nature, nature is surviving in heavily built up spaces, nature it feels is versus the city, and humans are versus nature’. The artists explain: ‘Rome is like a big breasted mother who feeds the whole of Italy. All of Italy is in Rome, not just Romans. One can almost feel Rome struggling under the pressure’. IMAGINING REALITIES, investigates this reality too and gives scope to see the world re-examined and envisioned through Skumbuzo’s and Jordan’s synergistic discourse.

Emma Vandermerwe – Senior Curator Everard Read/CIRCA Cape Town

This slideshow requires JavaScript.