Alessio Barchitta, Giulia Fumagalli, Salvador Gomez, Grace Mokalapa, Zana Masombuka and Viktoria Nianiou end their journey with Arp-Art Residency Project at Investec Cape Town Art Fair, co-existence is the show of artworks made by the 6 winning artists during the six weeks of the art residency between Cape Town, Granada e Roma.
co-existence is an exploratory journey of interpersonal, geographical, and collective experiences of identity. We all exist in close proximity, but often without being aware of each other’s individual and shared experience. We move in built and organic environments that evoke emotional responses – beyond our consciousness – the scenography of our daily life.
co-existence is not the sum of individuals, but the result of this addition.
co-existence means sharing and reflecting on our identity in terms of culture, heritage, gender, and environment. One of the questions the project poses is: how we can realize a co-existence without disavowing our individual cultural heritage.
co-existence will see three stages of travel, meetings, and research: Cape Town, Granada and Rome. (Alessandra Atti Di Sarro – ARP Director)
Giulia Fumagalli and Alessio Barchitta from Italy, Viktoria Nianiou and Salvador Gomez from Spain, Zana Masombuka and Grace Mokalapa from South Africa, are the 6 young winners artists of ARP 7Edition. From the 14th of December 2019 to the 18th of January 2020 they will be on show with co-existence, the exhibition that concludes the art residency project between Cape Town, Granada e Rome.
ARP is a program of international residencies organized by Centro Luigi Di Sarro, with the collaboration of Rainbow Media NPO. ARP is aimed at engaging young artists under 30 with geographical and interpersonal exchanges. ARP 7th Edition – Talents Exchange has been made possible thanks to the contribution of the MAECI-Italian Ministry of Foreign Affairs and International Cooperation and to Media Aid Onlus and My Cape Town. The exchange project between South Africa and Italy began in 2009 and since then more than twenty-five artists have travelled and worked between the two countries.
The present edition, took place in Cape Town, Granada, and Rome, adding a second stage in Europe. In November and December 2019 the Talent Exchange followed a new format: an itinerant route where each artist will have the opportunity to work on a research project in constant dialogue with the environment and the rest of the group. The participants have different stories and artistic background: Giulia Fumagalli and Alessio Barchitta come from Milan but Alessio was born in Sicily, Salvador Gomez comes from Barcelona whereas Viktoria Nianiou has studied in Spain but was born in Greece. Lastly, Grace Mokalapa and Zana Masombuka both live in Johannesburg.
Giulia Fumagalli and Alessio Barchitta from Italy, Viktoria Nianiou and Salvador Gomez from Spain, Zana Masombuka and Grace Mokalapa from South Africa. The Centro Luigi Di Sarro’s international residency programme, realized with the contribution of the MAECI, is aimed at young U30 artists. Cape Town, Granada and Rome are the Talents Exchange stages, between November and December 2019.
The 7th Edition of the ARP-Art Residency Project will start from Cape Town in November. The residency program for young artists under 30 is conceived and promoted by the Centro Luigi Di Sarro, through an innovative formula that involves several countries.
Talents exchange is an artistic adventure of experimentation and intercultural dialogue that will see a group of 6 artists traveling together first to Cape Town, then to Granada and finally to Rome, for almost 2 months.
The program will allow the group of artists, selected through a competition and by a jury of experts, to undertake a training trip between North and South of the world. The course, consisting of 3 periods of residency in South Africa, Spain and Italy, ideally combines the Mediterranean with Sub-Saharan Africa and acts as a bridge of knowledge between Europe and South Africa, a leading country on the continent for cultural and artistic growth. The winners will have the opportunity to carry out a research project and discuss with the group to set up local events on the way and a final exhibition in Rome in December.
The winning projects of ARP 7Edition range in the different fields of the figurative arts and investigate the most contemporary themes, all oriented to the bet of knowledge.
Over 50 contacts and 38 valid applications came to the selection of the jury composed of: Jake Aikman, Satellite, Cape Town; Alessandra Atti Di Sarro, Centro Luigi Di Sarro; Khanya Mashabela, Art critic, Cape Town; Marisa Mancilla, Facultad de Bellas Artes UGR, Universidad de Granada; Francesco Ozzola, Suburbia, Granada; Carlotta Sylos Calò, University of Tor Vergata, Rome.
ARP 7th Edition – Talents Exchange is realized with the contribution of MAECI – Ministry of Foreign Affairs and International Cooperation and Media Aid Onlus, in partnership with Suburbia Granada, Spain, and Satellite Cape Town, South Africa, and with the collaboration of Rainbow Media NPO.
Public art has become in recent years not only an alternative form of expression, but also a real stage with which artists confront and dialogue. We no longer speak of a conflict between an artwork that is by definition donated to the community and an artwork that is born to be sold under the rules of the market: artists more and more often move freely between these two options, until a few years ago considered in antithesis. Rome offers several examples of public art: from the fantastic intervention by William Kentridge Triumphs & Laments on the Lungotevere banks under Ponte Sisto, to the SanBa project that designed San Basilio’s public housing according to a specific urban redevelopment project, to the spontaneous open-air gallery that is flourishing in Corviale at the foot of the famous building called ‘Serpentone’, to arrive at interventions in the occupied realities such as the Tufello students’ house run by the Astra activists. ARP has made a journey to discover these realities together with the South African artists Skubalisto and Jordan Sweke participating in the residency in Rome in November and December 2017.
Both artists chosen this year by the ARP-Art Residency Project (created by the Centro Luigi Di Sarro with the contribution of MAECI and with the collaboration of Everard Read/CIRCA and RainbowMediaNPO) have an interest in the investigation of urban reality, as well it is the gentrification of the peripheral areas or redevelopment planned by social and housing policies, or even fertile ground of public artistic commission. Their investigation of the Roman reality has therefore often turned to those areas that could offer fertile inspirations. In parallel to the study that led to the realization of the exhibition REALTA’ IMMAGINARIE/IMAGINING REALITIES that was held at the Centro Luigi Di Sarro (30th November-14th December 2017), the two artists also wanted to bet on the public art front, realizing some works in the Roman suburbs: in Corviale (where they worked thanks to the hospitality of Alessandro Fornaci and the Laborintus Association and to the Prenestino, in a center for asylum seekers, a place of high symbolic value. In these years there is much discussion about what to do and how to give meaning to interculture: Art is one of the most universal means of communication and friendship between people.
“In the middle of the walk of our life, I found myself in a dark forest … (Dante, The Divine Comedy, Hell)”, the quote of the greatest Italian poet is not accidental and takes on meaning at the end of the long journey of meetings and crossings of routes that the two artists, guests of the ARP residence, have completed in the Capital. Jordan Sweke’s forest and the Skubalisto’s portraits tell of the past and the present. The immediate interest that both have shown for the urban socio-economic structure integrated with their artistic research has given rise to a very deep dialogue in their practice and with the inhabitants of the city. Dialogue that was realized with the final two-handed work performed in Corviale.
ARP-ART RESIDENCY PROJECT, designed by Centro di documentazione della ricerca artistica contemporanea Luigi Di Sarro, aims to promote and support emerging artistic talent in Italy and abroad and is part of a wider network of actions that Centro Di Sarro does through bilateral cultural exchanges in the field of visual arts. The programme has a contribution of MAECI, Italian Foreign Affaires Ministry, and the collaboration of Everard Read/CIRCA Gallery Cape Town.
ARP aims to promote mobility and knowledge of new cultural realities through the experimentation of materials, techniques and languages in contemporary art. The 6-weeks residency offers the opportunity for new creative experiences and technical and professional training, a human and artistic comparison, the study of the social, political and cultural history of the hosting country.
from left: Caterina Silva, Jordan Sweke, Skumbuzo Vabaza, Elena Giustozzi
Who are the 6th Edition between Italy and South Africa 2017/18 four winners:
ELENA GIUSTOZZI was born in Civitanova Marche (MC, Italy) in 1983.
After the diploma at Science high school, she enrolled at the Academy of fine arts in Macerata, Italy, where in 2008/2009 she obtained a Bachelor degree in decoration. In 2011/2012 she ends the Master degree in painting. Since 2013 is teaching assistant at the Academy of Fine Arts in Macerata: Painting Techniques (three years), Techniques and Technologies of Contemporary Visual Arts, Painting Techniques and Technologies Lab (Master degree course). Her selected project is Little Finite Landscapes. Different perspectives of landscape. “The perspective discloses to our eyes, not strained to the horizon like a parallel look to the ground, but cut and collected in a finite space. What do we look at? What are we listening to? The road that opens in front of us, the noise of our footsteps. My walks in the garden tell the story of the time that passes by, the seasons that follow one another, new but always the same, the earth that changes, transforms and deforms to then return to resemble every variation“. www.elenagiustozzi.com
CATERINA SILVA (Rome, 1983) explores the links between power and language from often silent or pre-linguistic places in order to elude canonical structures of production of meaning. She studied sculpture in London (Camberwell College of Arts), philosophy and Scenography in Rome (La Sapienza, Ied). Her work ranges from painting to performance. “I see my painting practice as a struggle with language and its classification’s systems. I use painting to probe at the obscure spaces of the mind, that which is impossible to explain in words but which exists and materializes into matter and then object. I create open images available to the interpretation of the observer, consequence of a process of deconstruction of my own internal superstructure carried out through the matter of painting itself and its translation into choreographic experiments and performances”. www.caterinasilva.com
JORDAN SWEKE (born 1991, Johannesburg. Lives and works in Cape Town) nel 2014 Bachelor and Honours in Fine Art, Specialising in Painting. Michaelis School of Fine Art. University of Cape Town, South Africa. Exploring and reflecting upon spatial perceptions within the natural world, Jordan Sweke aims to create “a marriage between the mathematical and the abstract, the geometric and the organic.” Working in a wide array of visual media including video, land art and urban installations, photography and oil paint on canvas, Sweke identifies each for its tactile emphasis of the material elements of his natural surroundings.The perceptions that result in his artworks transgress the usual prescribed concepts of the environment, and serve to challenge them. Fresh and uncompromising, his rendering ‘manages to reflect a Romantic beauty, a synthesis of life, death and the sublime’ and all serve to illustrate and redefine his audiences engagement and understanding of conceptual natural space. www.jordansweke.com
SKUMBUZO VABAZA, popularly known as “Skubalisto” is a visual artist from Cape Town, South Africa. Skubalisto was born in Harare, Zimbabwe, (1987) where his parents had spent their twenties in exile. His mother was studying medicine and his father as an active member of the ANC. Who primarily creates portraits in a contemporary expressionist style, channeled through muralism, wood boards and canvas. His mediums range from spray paint, acrylic, oil pastel, charcoal and ink. Since his return to South Africa he has been touring on a quest to rediscover the landscape and a connection with his country through an artist’s eyes. “I am not a writer, painting is my weapon of choice. The makings of a true artist lie in the fact that an individual can create no matter what medium they use”. skubalisto.tumblr.com
We are delighted to announce the arrival in Cape Town of Italian artist Valentina Colella, who was selected for a residency in the framework of ARP-Art Residency Project V Edition. The project, ideated by Centro Luigi Di Sarro of Rome in collaboration this year with Everard Read Gallery Cape Town, began in 2009 and involved various important galleries as well as 13 artists. This fifth edition enjoys the support of the Italian Ministry of Foreign Affairs and Co-operation; in the period 2015-2017 the project’s activities increased, witnessing many young art enthusiasts as well as art students actively contributing to the residencies in Rome and Cape Town of the two winners of the selection, Valentina Colella for Italy and Zwelethu Machepha for South Africa. Young curators, art historians, photographers, videomakers and students of various disciplines collaborated with the two leaders of this exchange, the artists, through training contributions and the participation to meetings and workshops. It is because of this activity, considered of high cultural, educational and social value, that ARP project was invited this year to take part to Cape Town Art Fair in the Cultural Platforms section, next to the most important South African non-profit organisations.
We invite you to visit stand F13, where the artworks of all Italian and South African artists who took part until today to ARP project will be exhibited, and where it will be possible to find out more about all the events organized by ARP between now and the end of March.
Saturday 18th February from 11 until 3, artists Colella e Machepha will be at ARP’s stand to introduce themselves to CTAF visitors. At 2 pm, the Italian Consul in Cape Town, Antonio Tagliaferri, and the Director of the Italian Insitute of Culture of Pretoria, Anna Amendolagine, will be in conversation with the Project Director, Alessandra Atti Di Sarro, of Centro Luigi Di Sarro, about ARP project and its history. All artists and gallerists who took part to ARP exchanges in the last eight years have been invited to join and share their experiences.
Last hours in Rome for the 26 years old Zwelethu Machepha who ended his artistic residency within ARP – Art Residency Project, at the Centro Luigi Di Sarro he had the final interview by the filmmaker Angelica Farinelli which is building the documentary about the whole project. As location, the ‘virtual piazza’ that the big Machepha’s works had crowded into the central room of the exhibition space of the Center for Documentation of Contemporary Artistic Research in Rome. All around, on the walls and the floor, the huge sheets spread out like the many figures who crowded the six weeks of meetings and emotions. After the opening, Machepha continued to visit the City. Together with Emanuele Meschini, who accompanied him throughout the period of the residency, he noted the different architectures of neighborhoods, as Eur, Flaminio, Historical centre, Villa Borghese. He visited the MAXXI, the Roman temple of contemporary art and the Auditorium Parco della Musica, the Colosseum and the archeological sites at the Foro Romano, and the Vatican Museums with the wonder of the Sistine Chapel.
Finally last week for the young South African artist even a day trip to Florence thanks to a meeting with the sculptor Nicola Rossini who drove in the cradle of the Renaissance, and accompanied him in the visit to the Academy of Fine Arts of Florence.
A millennial history summed up in a forty-five-day trip that probably will bear fruit in the coming months. “I will need time – said Zwelethu Machepha – to rework the multitude of informations and emotions that I got. If I think about it now, I feel just overpowered.” What will remain of the meetings, human and artistic exchanges, the wires stretched between worlds, definitely not so far, are some works created during the residency, one of which, entitled “Made in Rome” entered in the Centro Di Sarro collection. The ARP project is now preparing for the second phase. The team will travel to Cape Town, South Africa, to prepare for the arrival of Valentina Colella, in February 2017.
Colonial Ghosts at the Centro Di Sarro brings together the different mediums of drawing, painting and printmaking of the young South African artist Zwelethu Machepha. Machepha capturing enthusiastically in both figurative and abstracted the intrinsic and intuitive histories and languages of a world around him. A pixilated and redefined language that is both simultaneously a commentary on the digitalized world around us but equally meticulous colors and patterns that could equate with his cultural heritage.
Most recent prints include the subtler elements of pure fluorescent white drawings on paper that contrasts with the larger scale multi-paneled monochrome and colorful paper works. These all explain the process of experimentation the artist works through. Originally based on literal renderings of his human subjects (an example has been included in this exhibition as well), the essence of this humanity permeates through the exhibition. But as the artist moves forward in time the visual references are pared down to their abstracted ‘essence’. Responding to the vibrant urban spaces around him as one moves from room to room one can feel the presence of a human beings, as they gradually lose recognizable forms. Machepha explains he is trying to capture his identity and his world as the global environment around us continues to accelerate to such a degree we lose all grounding and roots with what we know. The audience is able to experience this fractured nature in the drawings depending on how close you are to them. From across the room one can see the silhouettes of the forms and bodies, whilst up very close the identities and shapes lose all definition and become only intense lines and patterns.
Machepha includes near the end of the exhibition a small series of brand new oil paint etchings realized in Rome with the assistance of Alessandro Fornaci at Stamperia del Tevere. Recaptured here the nuisances of humanity but without the recognizable human form. This minimal narrative by Machepha touches upon a dissolving of identities and loss of figuration now is landscaped in Roman languages that impressed upon the artist in his residency. (Emma Vandermerwe – Everard Read Gallery Cape Town)
NOT a LINE (a shadow line) A project by Paolo Baraldi selected for the Artistic Residency in Cape Town, South Africa, September 1- October 15 2014
The second edition of the Italo-South African artist’s residency exchange programme, facilitated by the Centro Luigi Di Sarro, Rome Italy and SMAC Art Gallery is marked by the arrival of Italian artist Paolo Baraldi in Cape Town. This follows on Paolo Bini’s visit to Cape Town from September to October2013 and South African artist Jake Aikman’s visit to Rome from May to June 2014. The Art Residency Project in South Africa is supported by the Consulate of Italy in Cape Town and the South African Embassy in Italy.
PAOLO BARALDI will be living and working on a specific project in Cape Town for a period of 30 days, after which , he will present a solo exhibition at SMAC Art Gallery in Cape Town. The project “Not A Line (a shadow line)” is an urban art intervention, focused on and projected onto the grid map of the new MY CITY bus route in Cape Town which has revolutionized public mobility in Cape Town. The title “Not a Line”, in its literal sense is relevant as the map or network of bus routes is far from linear. Baraldi also sees the movement of people as a form of human exchange. My City buses concurrently run through the well-known tourist spots, and the various suburbs of the city. Each bus stop will represents a new discovery and encounter for the artist with places, people, situations and images which he aims to reproduce in shadow form, creating a body of work which is both a social survey and study in urban ethnography.
Paolo Baraldi describes the project in Cape Town as follows:
“Drawing, photography and engraving, are steps in a process of memorization: the faces, the lives, the lights and shadows of people who might meet in my experience will be stored and played back in memory.
This project fits into the body of work which I have been developing around public spaces over the last few years, in Bilbao (Spain), Tampere (Finland), Rome and Bergamo (Italy). Recurring themes and devices in my work are issues surrounding equality, as well as highlighting the acquiescence and complicity of the individual to change appearance within the public context, reflecting a specific visual and cultural aspect, which is provoked and encouraged through artistic intervention. The extent and nature of these interventions relaxed or intensified, depending on the context.”
The timing of the project coincides with various initiatives surrounding the City of Cape Town as World Design Capital for 2014, and the conceptual basis of the project aligns itself with this theme: artistic intervention and urban intervention are interrelated and connected as tools in contemporary new social planning. In recent years, there has been increased criticism and concern about commercial art practices and the art market which stifles creativity and authenticity in artistic production and there is a move back towards a vision of art which is more closely linked to the creative act, where the artist is an interlocutor, engaging with its audience, operating from within an open/public space.
Paolo Baraldi will also have a live workshop with the photography and graphics students from the “Ruth Prowse School of Art” based in Woodstock working with them at the near My City bus stop.
Paolo Bini – Brink of the Ocean/Dinanzi all’Oceano
In collaboration with the Centro Di Sarro in Italy, the Italian Consulate in Cape Town and SMAC Art Gallery, Italian artist Paolo Bini presents his first South African solo exhibition entitled Brink of the Ocean/Dinanzi all’Oceano. Bini chosen by the Centro Di Sarro presents a new body of work completed during his one month residency, facilitated by the ARP – Art Residency Project, in Cape Town.
This exhibition will be hosted at the Provenance Auction House in Cape Town and runs concurrently with the program of the 13th Week of Italian Language in the World under the High Patronage of the President of the Italian Republic. Brink of the Ocean/Dinanzi all’Oceano continues Bini’s experimentation with lines and colours while incorporating the unique South African geography that permeates into the fabric of this new body of work.
An artist deeply inspired by geographical forms, colour and abstract landscapes, Bini has acknowledged that the context of this residency has had “an important impact on the directions and gesture of [his] art,” remarking that he can see a transformative difference in what he has produced during this period.
In response to his new environment, Bini searched across his own personal colour palette and points of reference. Bini believes that colour directly reflects emotion, which he dubs as “emotional chromatics,” citing the influences of Neo-Expressionism and artists such as Julian Schnabel.
The effect and significance of rendering “the line” is part of the artist’s vision as well. Affected by the unique landscapes that he absorbs, from the winelands of Stellenbosch to the rugged terrain of Cape Point, Bini has created spontaneous paintings of a fluid and transcendent nature.
The materials used are of importance to Bini. Monochromatic and fluorescent paint is applied to various surfaces ranging from canvas to long stretches of paper tape on wooden board. When the tape is covered in acrylic, the work acquires a new dimension, highlighting a “transformation” of his materials. The artist feels free with paper as he finds the medium “poetic, soft yet textural, and able to take colour passionately,” creating abstract compositions with a vibrancy of colour and line in response to the landscape and sights he encountered in South Africa.
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