Opening 2018 March 8th, 6pm
The double solo exhibition of Isabella Nazzarri (Livorno, 1987) and Viviana Valla (Voghera, 1986) focuses on the direct comparison between the different methodological and stylistic approaches that the two artists used to build their own original pictorial language.
Focused on an essentially gestural and erratic process, Isabella Nazzarri’s painting coagulates in a series of surprising shapes, characterized by vivid and brilliant colors that stand out on monochromatic backgrounds in the papers as in the canvases. The light precipitated in the pigments becomes the material also of her sculptures, made of colored resins enclosed in glass ampoules (Monadi) or expanded polyurethane molded to evoke the rock formations and calcareous deposits present in nature.
Based on the stratigraphy of paper materials is the research of Viviana Valla, who through the reworking of post-it, clippings of magazines, pre-printed sheets, shreds of silver papers and much more builds an intimate and diaristic painting that paradoxically assumes the appearance of a geometric composition. The theme of her investigation is the conflict between emotionality and censorship, which is expressed in a continuous balance between the accumulative method, of an intuitive nature, and the rigid control exercised on the often orthogonal forms of his compositions.
Both Isabella Nazzarri’s erratic method, based on gestural trust and freedom and on chromatic and signic lightness, as well as the critical and conflictual one by Viviana Valla, articulated in a dynamic contrast between emotionality and rationality, prefigure the assumption of responsibility towards the pictorial language, used as an interpretative filter for the construction of a Weltanschauung, a vision of the world.
The title Not Provisional alludes to the committed and “non-temporary” character of the pictorial approaches of Nazzarri and Valla. The two Italian artists, in fact, differently from provisional painters who avoid the overload of expectations linked to a secular medium such as painting, accept to elaborate grammars capable of expressing the dubious, enigmatic and uncertain character that is on the origin of the visual art training.
The exhibition Not Provisional presents about thirty works – including paintings, papers and sculptures – of the recent production of the two artists.