Return. Rome-Berlin The exchange project with Verein Berliner Künstler will exhibit 5 italian artists. Opening 13 September, 6pm.

The project Return Berlin-Rome | Rome-Berlin, born from an idea by Susanne Kessler, promotes the collaboration of Centro Luigi Di Sarro with the VBK-Verein Berliner Künstler and aims to start an exchange between the artistic realities of Italy and Germany, through the dialogue between the two capitals where the proposing associations are located.

Andrea Aquilanti, Angelo Casciello, Veronica Montanino, Pamela Pintus and Sara Spizzichino are the italian artists on show at the VBK-Gallery, from September 13th to October 6th 2019.

The project, carried out in two stages, brought the works of 5 German artists (Birgit Borggrebe, Jürgen Kellig, Susanne Kessler, Nele Probst, Marianne Stoll) to Centro Luigi Sarro in Rome in April 2019.

VAA 2019. The winners are Jabu Nadia Newman with “Untitled:Friends” and Niccolò Masini with “White time”. Next screening will take place at cortoLovere Festival in Italy on September 26th.

Screening and Awards Ceremony of the 2 winners and 8 finalists of the VAA-Video Art Awards 2nd edition took place on May 14th at the historic Labia Cinema in Cape Town. Now the VAA screening evening moves to Italy where the cortoLovere Festival will host the event on September 26th at the Tadini Art Academy.

The prize-giving event took place in the historic Cinema Labia, Tuesday 14 May 2019. All the 10 shortlisted works in the two selections (Italian and South African) have been projected.

The VAA – Video Art Awards is designed and promoted by the Centro Luigi Di Sarro with the contribution of Italian Cultural Institute of Pretoria and the International Short Film Festival cortoLovere, where the VAA Top10 will be screened again (23-28 September 2019).

Niccolò Masini CV http://www.niccolomasini.com

He studied in the classrooms of the IED in Milan, graduating in 2011 in Illustration and Animation courses. Thus began his career in the world of visual art. However, the definitive turning point accomplished by moving to the Netherlands, where he attended the prestigious Gerrit Rietveld Academy in Amsterdam, from which he graduated in 2015 with a specialization in Audio Visual Arts. During his time at Rietveld, he has the opportunity to follow an international exchange program at RMIT University in Melbourne. The Dutch experience will open to him doors to several international experiences: Australia, Argentina, the United States, Kuwait and Canada. Winner of numerous international prizes, competitions and residences, from 2016 he began to devote himself entirely to his personal research, which he combined with commissioned work. Practicing in three continents, his work has been exhibited internationally in countries such as Australia, Canada, Argentina, Japan, Holland and Italy. To date, he lives and works between Genoa and Montréal.

“White Time” still

“White Time”

“There are a certain amount of ordinary moments in life that are con- sidered neither here or there, these are spaces for otherness, for some considered irrelevant, that are simultaneously physical and mental, such as the space of a phone call or the moment when you see yourself in the mirror.” Michel Foucault

These spaces of otherness are infinite, disposed on time framed dimensions that inexorably passes through, with or without our consideration. The experience of the traveler, consisting of a series of movements within space, producing a phenomenon of a new order, where geography overtakes knowledge. Our conception of spatiality shapes our perception of time, and, on an individual scale, defines our way of perceiving movement. Spaces trace an inventory of the adventure of knowledge, omitting nothing; knowl- edge traces cartography of known lands, omitting nothing. Acting as a prelude to a subjective perception of a suspension in time, White Time is a video installation where a simple figure stands in a not specific dimension. Surrounded by the surface of the black screen different elements interact with each other, mutating through the composition of an undefined spatial location. Niccolò Masini

Jabu Nadia Newman CV https://jabunew.tumblr.com/

Jabu Newman was born and raised in Plumstead, a suburb of Cape Town. She is 25 years old and studied at UCT, University of Cape Town, where she graduated in Political Science and then specialized in Visual and Media Arts, then deepening cinema and directing at the African Arts Institute. He works in film production and continues his artistic research with video art and photography works, mainly oriented to the exploration of human and social relations. He won the VAA award with the video “Untitled: Friends”.

Jabu Nadia Newman

“UNTILED:FRIENDS”

The title Untitled:Friends alludes to the complexity of chosen relationships, specifically how deeply bound two souls who share no family relation can be: a strong connection that no title or description can truly articulate. 

Like most of Newman’s body of work, the film specifically focuses on femme binary identity and relationships. The storyline is intentionally centered around femme friendships and simultaneously challenges and celebrates them against a backdrop of a mundane heteronormative neighborhood, where these layered and complex identities are prosecuted and undervalued. 

Untitled:Friends was shot, written, directed and edited by Newman over a period of two years and reads like a personal visual diary, in which she invites us into her childhood and teenage years in Plumstead. Come per la maggior parte dei lavori di Newman, il film pone un’attenzione particolare all’identità e alle relazioni nel mondo femminile. Il racconto è volutamente centrato su una storia di amicizia fra donne in cui contemporaneamente si sfida e si festeggia, in una atmosfera mondana, quel substrato di codici di etero-normalità in cui le identità stratificate e complesse sono perseguitate e sottovalutate. Untitled:friends è stato girato, scritto, diretto e montato da Newman nel corso di due anni e si offre come un personale diario visivo, nel quale l’autrice svela i suoi anni d’infanzia e adolescenza nel quartiere di Plumstead. (Jabu Nadia Newman)

“Untitled:Friends” still
VAA Screening Programme

RETURN Berlin/Rome 2019 April 4th – May 4th. Exchange project with VEREIN BERLINER KÜNSTLER under patronage of Istituto Italiano di Cultura in Berlin. Opening 4.4.2019, 6-8pm

The project RETURN Berlin-Rome | Rome-Berlin, born from an idea by Susanne Kessler, is curated by the Centro Di Sarro in collaboration with the Verein Berliner Künstler, and under the patronage of the Istituto Italiano di Cultura in Berlin, with the intention of starting an exchange between the artistic realities of Italy and Germany through the dialogue between the two cities where the proposing associations are based. The project involves two parts: RETURN Berlin-Rome will exhibit the works of 5 German artists (Birgit Borggrebe, Jürgen Kellig, Susanne Kessler, Nele Probst, Marianne Stoll) and the works at the Centro Di Sarro, from 4 April to 4 May 2019 subsequently RETURN Rome-Berlin will see the exhibition of the works of 5 Italian artists (Andrea Aquilanti, Angelo Casciello, Veronica Montanino, Pamela Pintus, Sara Spizzichino) at the Galerie VBK-Verein Berliner Künstler, from 13 September to 6 October 2019.

Birgit Borggrebe.Born in Arnsberg, lives and works in Berlin.
“The harsh and abstract character of our cities, the globalization of the modern world, are in contrast with what remains of Nature: here a tree, a herd of goats there, yet even the clouds themselves shine with suspicious colors. Borggrebe’s images are kaleidoscopes, poetic encounters with a nightmarish reality that could soon cover a large part of our planet. An aesthetic protest spreads from the paintings: that our world is not as it should be. Although it seems strange, the futuristic and apocalyptic landscapes depicted in his paintings are permeated by something that could be described as a “nostalgia for Paradise”. (Kai Michel, Zurich)

Jürgen Kellig. Born in Berlin where he lives and works.
My drawings deal with rhythm and structure, in particular with the interaction between chaos and order, with the similarities between micro and macrocosm. Although reworked in a concrete way, these works can recall organic networks, as well as technological networks. (Jürgen Kellig)
Jürgen Kellig draws freehand. The accuracy of its graphic elements does not follow a program, a pre-established scheme. It simulates the certainty of geometric laws, as in a free zone between micrological proximity and macrological distance: a subject already addressed by the author in previous works. Consequently, the titles of his drawings suggest conceptual clarity: “notation”, “score”, “interconnection”, “civilization”. They transform images into conceptual associations. Images that are the result of associative processes related to a graphic self-referentiality, fixing point as point, line as line and plan as plan or their arbitrary succession. (Wolfgang Siano, from the text in the catalog “Implacable, between line and line and beyond”)

Susanne Kessler. Born in Wuppertal in 1955, she lives and works in Berlin and Rome.
She studied painting and graphics in Berlin at the Hochschule der Künste (UDK) and in London at the Royal College of Art (RCA). She prefers large installations, both indoors and outdoors. She has taught at California State University (CSU) and at the City University of New York (CUNY). Business trips have taken her to Ethiopia, Guatemala, Mali, Pakistan, India and Iran. All these places have left traces in her work. Her installations, sometimes ephemeral, are published in numerous catalogs and books.
The former director of the Wilhelm Lehmbruck Museum Raimund Stecker describes the artist’s method as follows: “Susanne Kessler constantly plays with separation and contact, closeness and distance, reality and illusion. The tangible is sometimes lost in the incomprehensible and the inconceivable becomes tangible, the chaotic becomes cosmic, the messy sometimes rational, and the certainties seem confused “.

Nele Probst. Since 1995 he lives and works in Berlin.
From 1989 to 1993 he studied Visual Communication, Fachhochschule für Gestaltung, Mannheim with Prof. Günter Slabon, Prof. Wolf Magin, Prof. Roland Fürst, Prof. Eckhard Neumann. From 1993 to 1995 he lived and worked in Hamburg.
In the works of Nele Probst, both in painting and in sculpture and installations, the additive process, understood as collection and thickening, plays an important role. The narrative moment and its associations are reflected both in the content and in the structure of his works. Color and material are in the foreground. His playful, experimental and sensitive relationship with materials and composition creates a sense of lightness and joy that characterizes his work and involves the viewer.

Marianne Stoll. Born in Darmstadt, lives and works in Berlin.
She studied art history with Prof. Uwe M. Schneede, Ludwig Maximilian Universität of Munich.
Through sculptures and drawings (…) Marianne Stoll explores in a playful but always serious, lucid and surprising way the many facets of living, of the house, of the origins – and of the constant threat of loss of a dwelling, of a shelter. In her compositions, Marianne recalls the question of how one should inhabit the World-Home, how to settle into this dwelling, which has not been handed over to humanity on a turnkey basis. With daring changes of perspective, the small and the large, the solid and the fragile, the dangerous and the harmless come together in the act of drawing (…) the graphic forms satisfy and nourish each other, in a strange analogy with creating a habitat for humans. (Dorothée Bauerle-Willert, from the text in the catalog “Dream Houses”)

Thanks to Giorgio Benni for photographs of the exhibition in slideshow.

VAA-Video Art Awards II Edition Italy-South Africa. CALL CLOSED

Theme “Interconnections: Legacy and Identity”. A very topical subject for this 2nd edition of the competition that Centro Di Sarro dedicates to artists under 45 who work with video and new media. Call CLOSED – UNDER SELECTION.

VAA-VIDEO ART AWARD ITALY SOUTH AFRICA AT CORTOLOVERE FESTIVAL. ACCADEMIA TADINI, LOVERE (BG) 2018 SEPTEMBER 27th, 8.30pm

Centro Luigi Di Sarro returns to cortoLovere with the finalists of the VAA-Video Art Award. The 10 finalist videos and the winners of the contest promoted by Centro Di Sarro, the Istituto Italiano di Cultura in Pretoria and cortoLovere will be screened at the international short film festival on Lake Iseo at the Tadini Academy. The event will be attended by the young videomaker winner of the South African section Kamyar Binesh Tarigh, which the Festival will host for the entire week in Lovere.

www.cortolovere.it

A contest dedicated to Video Art, born from the need to stimulate artistic production in the moving image to offer a limelight to experimentation in the audiovisual field and at the same time to develop opportunities for exchange and comparison on the theme of environmental sustainability, economic and socio-cultural. The Video Art Award was launched in the first edition between Italy and South Africa in 2018, and is aimed at artists who are not over 40 years old.

The competition, promoted by the Centre di documentazione della ricerca artistica contemporanea Luigi Di Sarro, with the contribution of cortoLovere and Istituto Italiano di Cultura in Pretoria, and the collaboration of Rainbow Media NPO, has rewarded the best video works produced by emerging artists on the territory of the involved countries. Among the applications, in the two sections South Africa and Italy, 10 finalists were selected by a jury of experts and the two winners were nominated by the VAA for a prize-trip to take part in the award ceremony in Cape Town (24 March 2018) and in Lovere (27 September 2018).

The Winners of the VAA are Luca Coclite, for Italy with the work Solitary Gardens and Kamyar Binesh Tarigh for South Africa with the work Shelter.

The Finalists are for Italy: Ilaria Biotti (8’20 “- On Time Traveling), Gilda Li Rosi (Migration), Caterina Pecchioli (Mani Nostre: Valeria), Michela Tobiolo (Enter this wound); for South Africa: Nonkululeko Chabalala (Nobody Wana See Us Togheter), Rory Emmet (Concerning Alchemy), Faith XLVII (Aqua Regalia), Thania Petersen (Salt).

HAVE A LOOK AT FULL SCREENINGS PROGRAM

 

LUCA COCLITE and KAMYAR BINESHTARIG WIN THE VAA-VIDEO ART AWARD

The award ceremony took place a few hours ago in a busy, crowded and happy Italian Art Day at the Tsoga Centre in Philippi, Cape Town.

The event is organized by the Centro Luigi Di Sarro with the contribution of the Istituto Italiano di Cultura in Pretoria and the collaboration of Rainbow Media NPO and will offer the participants the opportunity to discover the vibrant artistic scene of the township in a succession of video projections inside the community centre in Samora Machel, managed by the youth of Ubuntubethu.

On the four screens the 10 short films, selected by the jury, will run:  and during the Art Day the winner of the Italian section was presented: Luca Coclite,  the italian filmmaker who got the South Africa trip award and landed in Cape Town to take part in the award ceremony. Also on show are the finalists of the South African section whose winner Kamyar Bineshtarig will get the award trip to Italy to participate in September at the International Short Film Festival CortoLovere on Lake Iseo, during which the finalist 10 videos will be shown again.

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Luca Coclite, winner for the Italian category, comes from Gagliano del Capo, near Lecce. His artwork, Solitary Gardens, is inspired by the work of Elaine Summers, Fantastic Gardens (1964). The video is split into three different parts, moving from ‘giardino’ (garden), a metaphor of someone who is seeking happiness and perfection, and taking us through a great variety of well-known places in New York city representing an individualistic and solitary picture of human condition. The movie is made up of ‘Human Botanical Garden’, ‘One day everything you see will be invisible’ and ‘Anti-Souvenir’, portraying an unstable reality flowing from an earthly paradise to an illusion. Here, the solitude from the Winter Garden Atrium, the artificiality from the Prospect Park in Brooklyn, the dioramas from scientific museums and, lastly, the deterioration of forgotten objects at the Dead Horse Bay lead us, in Rilke’s terminology, ‘from the visible world towards something timeless, inward and invisible’.

Kamyar Bineshtarigh, winner of the South African category, is a student at the Ruth Prowse School of Art in Cape Town. Seeing homeless people using newspaper posters to sleep on in the streets of Cape Town, Bineshtarigh found the inspiring motive to create his short film, Shelter. He found it ironic that posters depicting the government’s promises for a sustainable living for the poor, were, in fact, used by the poor for a more comfortable sleep in the streets. Chuma, the actress in the film, is a fellow student at Ruth Prowse; she was a homeless artist that started drawing by burning pieces of wood turning them into charcoal and drawing portraits of other homeless people around her. She also assisted in developing the concept so that it is closest to the reality of a homeless person in the streets of Cape Town, and introduced Bineshtarigh to other homeless artists, including the trumpet players in the film.

The screening of all finalists will take place again in Italy during the CortoLovere festival (24-29 September 2018).

Italian Section:

  • 8’20” – On Time Travelling, by Ilaria Biotti
  • SOLITARY GARDENS, by Luca Coclite
  • MIGRATION, by Gilda Li Rosi
  • MANI NOSTRE/Talking Hands, by Caterina Pecchioli
  • ENTRA IN QUESTA FERITA ° il dolore da bruciare è la porta da spalancare, by Michela Tobiolo
 South African Section:
  • NOBODY WANA SEE US TOGETHER, by Nonkululeko Chabalala
  • AQUA REGALIA, by Faith XLVII
  • CONCERNING ALCHEMY, by Rory Emmett
  • SALT, by Thania Petersen
  • SHELTER, by Kamyar Bineshtarigh

VAA-VIDEO ART AWARD 10 Finalists on Show in PHILIPPI, Cape Town March 24th 2018. In September again in Italy during the CORTOLOVERE International Festival

The selection of the VAA-Video Art award Competition launched by the Luigi Di Sarro Center with the Italian Cultural Institute of Pretoria concluded. The jury chose the 10 finalists of the two sections: Italy and South Africa. The finalist videos will be shown on March 24th during the Italian Art Day in Philippi, Cape Town and then again in Italy in September during the CortoLovere International Festival.

 

VIDEO ART AWARDS – oltre il corto/beyond short format OPEN CALL Italy/South Africa

Competition promoted by Centro di documentazione della ricerca artistica contemporanea Luigi Di Sarro and aimed at young artists (U40) active in the eld of video art. Project realized with the contribution of the Istituto Italiano di Cultura of Pretoria and with the collaboration of South African association Rainbow Media NPO and CortoLovere. Theme of the call: A sustainible future. The interested parties shall send their entries before 4th March 2018 to: vaa@rainbowmediagroup.net

CUBA – Erik Chevalier and Mauro Magni in Havana

Havana / An experience in barrio Cantarrana

between cooperation and culture Centro Luigi Di Sarro and CISP-Sviluppo dei popoli together for the upgrading of a popular district in cuban capital

Nadia Angelucci e Tiziana Bartolini  (extract from NoiDonne 2 gennaio 2012)

One of the interventions made during the Italian Culture Week in Cuba is what created the Centro Luigi Di Sarro and the CISP – International Committee for the Development of Peoples. Two women, Alessandra Atti Di Sarro – journalist and vice president of Centro Luigi Di Sarro – and Paola Larghi – responsible for Cisp-Development projects of peoples in Cuba – have been the protagonists and builders of this visionary idea that combines development with culture and art.

To Alessandra Atti Di Sarro we asked how this project was born?
CISP brings in the Cantarrana barracks in Havana, with the artists of the Huellas group, an urban redevelopment project through art painting houses according to the inhabitants, which I had to visit last year. From that afternoon passed between the painted houses of Cantarrana, a reportage was born that was then transmitted by TG2 Stories and a collaboration with Paola Larghi that was developed thanks to the invitation of the Italian Embassy in Cuba to present a project with the Centro Luigi Di Sarro for the 2011 Culture Week. We brought two artists selected by Centro Di Sarro, Erik Chevalier and Mauro Magni to Havana for the “VISUS” exhibition, painting and photography works (which was held on 22 / 11 to 4/12 at the Provisional Center of Design Luz y Oficios) and connect the two italian artist with the group of Cuban artists Huellas to propose the sketch of a mural to be made on one of Cantarrana’s houses as an interaction / workshop between Italians and Cubans . Chevalier and Magni have made a real site-specific with 4 hands. The work for the project, with the participation of the Cuban group, lasted 3 days, at the end of which there was a large party with music groups in the barrio that animated from the afternoon to night the alley where the mural was discovered in the evening by the  Italian Ambassador Marco Baccin. Also part of the project was a meeting of artists and cooperation actors dedicated to the theme “art and urban transformation” to talk about a new international cooperation that goes for a concept of development increasingly linked to the cultural factor.

So, all comes out from a meeting of women …
We had an instant understanding! Perhaps because we are of the same generation and we have in common cultural background and also many ideals. She loves art, theater and music, and she’s convinced that one has to fight for a better world, that’s why she works in the field of cooperation for development. I have always pursued a serious commitment in the world of international cooperation, I make my personal volunteering through my journalism profession to the South of the world, and in addition in my experience there is culture as a skill, I have been working on it in Rai, italian television for years, and culture is also the mission of my family’s activity with the ‘Centro Luigi Di Sarro’ in Rome, entitled to my uncle, whom I care about international exchanges.

Are you satisfied with the result?
To see hundreds of people attending the festival for the inauguration of the mural and to see that during the final concert people was busy all the time to photographing or getting shot in front of the opera … well, it was amazing! Collaboration among artists was rich in ideas; Chevalier and Magni (the first works as a restorer and decorator with tromp l’oeil, the second as decorator and set designer) have been able to offer many technical information and receive interesting information on recycled and alternative materials that we do not usually use. And more: at the exhibition opening and at the round table there was lots of participants, especially young people, a sign that we also focused on the theoretical point of view. And in times when culture is considered irrelevant or even useless, it was, yes, a real satisfaction.